{September 27th, 2008} LABYRINTHITIS

The Society for the Diffusion of Useful Information is pleased to announce:

L A B Y R I N T H I T I S
A Live Presentation

Saturday, September 27th, 2008
7:30 p.m.
9:30 p.m.
We are no longer offering tickets for either performance. A limited number of spaces may be made available on the evening of the performance.

The Museum of Jurassic Technology
9341 Venice Blvd
Culver City, CA 90232

$7 General Donation / $5 Museum members, students & seniors

Jacob Kirkegaard has turned his ears inwards: his new work LABYRINTHITIS is an interactive sound piece that consists entirely of sounds generated in the artist’s auditory organs – and will cause audible responses in those of the audience.

LABYRINTHITIS relies on a principle employed both in medical science and musical practice: When two frequencies at a certain ratio are played into the ear, additional vibrations in the inner ear will produce a third frequency. This frequency is generated by the ear itself: a so-called “distortion product otoacoustic emission” (DPOAE), also referred to in musicology as “Tartini tone”.

By arranging the tones from his ears in a composition and playing them to an audience, the artist evokes further distortion effects in the ears of his listeners. At first, each new tone can only be perceived "intersubjectively": inside the head of each one in the audience. Kirkegaard artificially reproduces this tone and introduces it, "objectively", into his composition. When combined with another distorting frequency, it will create another tone... until, step by step, a pattern of descending tonal structure emerges whose spiral form mirrors the composition of resonant spectra in the human cochlea.

To read more about LABYRINTHITIS, point your browser to http://fonik.dk/works/labyrinthitis.html

Jacob Kirkegaard is an artist with an interest in the scientific and aesthetic aspects of resonance, time and hearing. His performances, audio/visual installations and compositions deal with acoustic spaces and phenomena that usually remain inaccessible to sense perception. With the use of unorthodox recording tools such as accelerometers, hydrophones or home-built electromagnetic receivers, Kirkegaard manages to capture and explore "secret sounds" - distortions, interferences, vibrations, ambiences - from within a variety of environments: volcanic earth, a nuclear power plant, an empty room, a TV tower, crystals, ice... and the human inner ear itself.

During the last ten years, he has been presenting exhibitions and touring festivals and conferences throughout the world. He has released five albums. Among his numerous collaborators are JG Thirlwell, Ann Lislegaard, CM von Hausswolff, Philip Jeck and Lydia Lunch.

ALL SEATS ARE WILL-CALL. No tickets will be mailed to you. Please address queries to events@mjt.org. If you wish to be added to our events mailing list, please write "SUBSCRIBE" in the subject header of your e-mail.

LABYRINTHITIS was commissioned by the Medical Museum in Copenhagen and supported by Kunstrådet, The Danish Arts Council.