Jewelry

$95.00

"Dogs of the Soviet Space Program" Commemorative Glass Locket

On November 3, 1957, just 30 days after the first ever man-made object entered into earth orbit, the Soviet Union launched a second "artificial moon." Born aloft by a proto-Vostok launch vehicle to an altitude of 934 miles, Sputnik II was not only substantially larger than its predecessor, but also differed in so far as it included a living being. This first earth-born creature to leave the earth was, of course, the famed Laika (barker), whose flight commanded the attention of the entire world. Between 1959 and 1961, 10 more dogs in 6 separate missions followed Laika's courageous example culminating in the flight of Zvezdochka (daughter of the stars), who made a single orbit flight in final preparation for April 12, 1961, when, proven tenable by the dogs, Yuri Gagarin was launched into space in the first human extra-terrestrial flight.

This handsome, sterling silver locket honors Laika, Zvezdochka, and three other heroic canines - Belka, Strelka, and Ugolyok - with a set of tiny, interchangeable portraits that can be displayed under glass domes on either side of the locket. The miniature portraits are photo-reproductions of oil paintings by M. A. Peers which are on display in the foyer of the Museum's Borzoi Kabinet Theater as part of the ongoing exhibition, The Lives of Perfect Creatures: Dogs of the Soviet Space Program. More information on the Space Dogs exhibit can be found here.

The frame of the locket measures 27 x 22 mm and features a delicate scalloped edge. A swiveling bail allows the locket to be rotated 360-degrees on it's 18-inch sterling silver wheat chain. To open, unscrew the small nut at the top of the locket until the front is released.

Additional locket inserts are available, with a "Microminiature" theme.

"All the Universe is full of the lives of perfect creatures." - K. E. Tsiolkovsky

A Note About Our Commemorative Products: This item is produced by and for the Museum only, and is made under its direct and careful supervision. The quality of Museum reproduction and adaptations is an overriding concern. Proceeds, as always, are used entirely in support of the Museum and its programs.
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